视频简介
Hav-[ing witnessed his junk,)ie f/ *ath/ *er .killed Ru_ ssell Steven`@ s^_ gro_ws)(% up to be*#come a policeman and ma%=ke [ a d])*if ference. Whe`n he i)%s offer %ed an (#?underco[;ver jo:b by Gerald Carve^ +/r h^e accepts ^-and begins ^t #;o bu!ild a relationship.] with Dav ]id Jas`]on i n or_ %der ` to( ge(:$t ` $to the ma , in dealers. However as h e[] is forced to +\deal drugs a^ nd kill to keep @:-h` is cover he f+%i ?nds the . lines betw een co;\p =+ an#d criminal bei!ng lo)st – +^i /s $he a= cop pret?ending-)@ t. :o be a dealer or a @dealer $ pr etending ,% to be a cop#: /: La = #rry (as h_-e wa ^s then) Fishburne'@ s?- first l%:=e%a$?d ^@role was a typica [:$lly\% dark- ?vehicle-? . The st, +ory ]; is the usu[][a -l one of__. cop losing ?*h i mself when und* er/_cover, @(-h: +owever it[ man% a: -ges to b()@e more than that for mo s+-$$]t .of t$;he t=? i[m^e. Co-wri t ten by To `lkin, who wrote The Player, this na] ?]turally has *a^ n i.ce c( *`\ynic+] a([l edge @`to it, wh en it looks =;#at the US's hypocritical appro$?ach to d,=rug control a ]$nd( the politic..)al lin;$\ks betwe \e!= )n the street $ hus-.;tle!@rs, * a.nd the ,politi^!cal high rolle/; rs who court respectability. The story does eventually sett le into `a+ `! tr@:aditi)onal ]s etti ,n =g [`but` ev en then it works? w =ell as a thr` iller. The mult()i-talen `ted Bill ?!Duke dir [ects?= w -=ell with a -gr* it^t\- .y fe$#el and a few ni= [*ce touches.^[ How ever several; -t` hin%=gs are a bit iffy. ?];+F or mos@@ t of the f^ilm *#Fishburn^?/ e's narra@.tion;voice over is a bit like a cross between Apoc`%+ aly \!p*!*se _N[o ?`w)? and /# Bla :de Ru #,nner – it co mes across as a littl,e too dark a :nd heavy +and also $explains things like `w@e can't?: #= figure$= it ,:ou+.?t #_ou#rse *@lves,. However once you g;=e+(t in ,to the fil(m it's n @` o\t as_- big a deal=-. My` main \+problem: lies wit):h the =)character^;s* . Fishbur*ne is excel[]/l _$ent, \[;a real ) model of u@nderlying anger a) n*^d vi.o-.?lence, Go#/ldb#+lu*m is ,;?good but perh?*=aps ) a l+ -ittle OT @,T on the yuppieviol;ence thin?!g, but there's good support from?= Smi;-*th and Spin City'\@[s ? beaut?#] iful (and often under u se=d! – but*+ no`t here) Victoria Dillar#,d. Ho!wever the two main ,\.white cha-rac *!t)ers (Goldblum=. ^ @an+d - `$ Sm!_ ith) are both smea =red` with racist insinu.\ations –? Smith appears to _# insult his b[lack off$icers a -nd does])n't c/* are about th,) e junk)ies, _. wh?ile Go@+ ldblum.# = i \s fascinated a*!$.\bout all (t],hings. ] bla @!ck+ and talks a+;;bou? \/ t them as w_ ild beaut]iful be ([ asts]$# and\ - love?* ]s havin]% [g sex[*+ with black'. These things ar\^\en+'t a m(+#ajor ]p\$roblem, but with ;basically only two w^hite characters in it, it's a li ttle wor^ rying +./that both are g$iv\,:en that edge. %=[?H /-,owever these are minor compla?]int s \ that get lost with a.)+ good th +_.riller[._( `^,Fishbur$,-ne exc%e\-(ls :and *(?Duke del*/+;iv$+ :+er!s a story th$/[at is a g .o/ o? d thriller but also!% has?; a jaded, s![ubversive edge.