视频简介
This lo(ng-%,lost maste`rpiec` e of h)ar!d!;_ c ore gay eroti:!c cin):e*+ ma . $ =?cente^rs on a hand?_$;some y .oung stu ]d @,who ^ rides ^%his @.motorcycle through myriad se(xual(] enc=ounter`$,s%+, fr) $om a socc er gam/.-e’s lo\^c-[ker room ; _to!@ a phantasmag\_oric an ;d dee !!\ply melancholy orgy. A labyrinth]] of all-mal]e fantasies whos^,_e #_o) =?utst :^anding beauties al!- ways end @ #=*up fading aw!ay`]\ while leaving th ,eir sen sual pr@ o) tagonis,t d [,ea!+(,ling with his ow$ ;n ;= loneli ?[ ne%`@ss, EQUATI#^ :ON was directed=( w -ith s` ?upr` ;eme grace ](;by)/?# the myster:ious $# [Die]trich . de Vel$??sa (aka Francis_( Sa.] v( el/F@ ran.$ ]tz Salie*]r];i). A forme(r(\ pain,,ter, d e Vels]a was `,% al # so the owner and ar#tistic dir,ector of La Gr^=ande Eugè_%#+ne, one of the f-(i^`rst #; d #@rag cabarets in Par#];is. Years later,(( he col/+labor !ate?/ =d w!ith Joseph Losey on MR.[; [/KLEIN (197()6:$) and DON/_ ?G%;[IOV;_ ANN %I ,(- 19`79(@). H@,is one and only film, EQ:_UATION TO AN `^UNKNOWN :$#stands as one of /-t he \ most ext!ra .:ordinary $*?ero[+ tic f*i[-lms of ! all time.
“The , most#/ melancholic @_p(o rn f](ilm I’ve ever seen. :It’s very^ (* sad .-, and \ ae % sthetically be =+a]:utiful. Just a ;youn* g man wandering* throu^%gh sev,!e / ral de=/pictions % of love and c$ -hor !e@/ ogra\.=phie\(s of lo];[v ,*(e-mak :^i ng;_, it’s !-[like ?= .a cerem] ony, a ceremo% ny of fantasies, esp ` ec`+ ial$^ly t@ h*(e_`=% l ast sequence w$=here t$?he :@%main character recal!ls all his p@(revious fantasies, which come+( one b^y ` o:[ne +#, a_ round his ](bed? and ma+ +ke l- ;ove to him. I t\hink it’s on_ e of t` [he most [beau%=tif $^ul film se^,quences of Fre+:nch cinema.” –Yann Gonzalez
“The , most#/ melancholic @_p(o rn f](ilm I’ve ever seen. :It’s very^ (* sad .-, and \ ae % sthetically be =+a]:utiful. Just a ;youn* g man wandering* throu^%gh sev,!e / ral de=/pictions % of love and c$ -hor !e@/ ogra\.=phie\(s of lo];[v ,*(e-mak :^i ng;_, it’s !-[like ?= .a cerem] ony, a ceremo% ny of fantasies, esp ` ec`+ ial$^ly t@ h*(e_`=% l ast sequence w$=here t$?he :@%main character recal!ls all his p@(revious fantasies, which come+( one b^y ` o:[ne +#, a_ round his ](bed? and ma+ +ke l- ;ove to him. I t\hink it’s on_ e of t` [he most [beau%=tif $^ul film se^,quences of Fre+:nch cinema.” –Yann Gonzalez