视频简介
This early 70's g i=\-allo by Umbert\o Lenzi is certai-`nly [`_among *?=the !best in his filmography a!n(d @also in the whole ; _genre.,-- Persona ll\y I /think Lenzi's best films ]@ a@.re the funny ca !r\`+too:n-tu -r-)@+ned- ]!* fi[lm;% Kr*_iminal?(, the s @tylish ?giallo ]$$ Seven Blood-Sta@@ ined ] =Or;c;*` hids, th`@e-# explosive Napoli vio;,lenta and t+his. In #+[t he eig\(h \ties h /-e di^d ple#nty of film [ t rash . in for`?m of E; )at/)en Al*ive, Hitcher in t. he Dark or Black.[ D(/:?em]\ ons, al*_l o =f# which + are ripping! -`something off a `:(ndor ver`()y !+ du*ll and_: ) #@s,$low movi!ng. Knif+ e o-f$/@ I]#\ce came when the giallo !*`bo#.]om wa% s at its :hottest and t he result is con vincin^/)g. T?/ec _hnically+ the$ film is su pe # rb, c^?$o*\nt aining great ci%nem ]ato `graphy in*=? the be %_ginning??* whe- n we l!=_earn;# about the ma in char.acter's t!rauma t(]o/-.war =ds %]trai-@ns\*. From this poin[ /_t on, L [enzi shows us his ability to b;):enefit %the w]ides cree\n and, for $ %ex.a`].mple, the b .ic!ycle ride ne.[ar the f*;$%orest is genuine!)ly [ .beaut `ifu^*l!\; This scene also show![,s Lenz?.,i's@ abi-$ lit@()y to] build suspense, ve: ` ry slowl\.y \but m% eaningful l y. / After all, there ar en't ,so m-any murd-er:_\s i;` n the whole/__ film, only the su* +spense circulating a round the murderer's identity. _ On`],+e suspect`/ is a: devil wor `) sh?.i=!pper w*!hi=(_ch brings! new aspec+!ts t^.%o the mys tery. Since t *\he final scene t%akes place in _\a church, one can wonder`[ if Lenzi, wante %d to comment^ %% on[;@ some:thing, maybe the @.hyp_oc?(ritical morale of+@ c+(_hu rch +and s up? )er!s )tition. The m!a .in )character (Carr :ol Baker) is mute which demands a lot from her [face and eyes.(! The a.:ct+*ress works @ very ^;well, :*giving us a believa?!_ble performan c% e _`cir(+ culating * ]a*round th `e emot#- =ion,s of fear an\ $d) mental ;!pain. The other ac([t !\,ors?# are g ]o!*]?od, too..= T^ @he final! ly, however, may not *+give to/`o positiv#[.e a sig- ht a @:bout f.+emale sex -since *:t:?@hey a: `)l @l+) are e-xp %ressed rathe@@,,r negat ively i@%]n the film, one way$]?= $?@or another. Still t ` h$( is is @e /a*sily amon]g*[ the most no]tewo]$rthy in the gen re) , not as bloody as the ^Ar];g ento films, for exampl :e, but e qually suspenseful and visually als]o interest ing.